This series, not yet titled, is part of an ongoing photographic project exploring themes of personal domesticity and intimate connections. The work captures moments that reveal the subtle dynamics and emotional nuances of cohabitation, examining private, everyday spaces of intimacy while investigating how gender, sexuality, and identity are shaped within a relational context.

@yun_qing.me

“Breaktime” is a video-card series that creatively blends sound, motion, and humor. It unveils how we escape modern anxieties and experience time’s absurd, fragmented consumption in unique ways.

@llloyalyal_
@xxsyy600
@4s.yii_

Cockroaches were ubiquitous creature in Guangzhou, the city I grew up in, but I’ve seen almost none since arriving in London. Coming to a city with an unfamiliar culture triggered my own anxieties, as well as thoughts about the future; if everything dies out, will cockroaches be the last survivors?

@yobo0223

Within

Through the use of common materials in daily life, this work symbolises the different trajectories of people’s lives, emphasises the interaction and connection between people in the process of interaction, and hopes to leave traces and memories in each other’s lives, ultimately conveying the vision of ‘I hope you will remember me’.

@ichiko.art

@chuyann_zhang

@chuyan_artworks

Raincoat is a collection of the pictures we took for each other. When clicking the icons, the contents vary according to our different impressions of the shooting (a trivial way we connect). The Rain, The Worms, and Relationship, representing a feeling of glitchy, gloomy, and mysterious, belong to Hanna, Tugce and Suzy, respectively. Coldness and warmth mingled in this collaboration, bringing sharpness and roughness to the final project. The fish seems to be an awkward but omniscient creature among us, with the appearance of the fisheye photos when clicking the fish icon, it distorts and obscures what we really see.

@tugc333
@suzyy_z
@hc.wentz

Half Past Six

This work attempts to capture those unspoken moments in family relationships – they are not obvious, they are not dramatic, but they are constantly active. These subtle changes are hidden in silent rituals: a desire that may not be precisely defined, or a lack that is never satisfied.  What is the nature of relationships when the ticking of time overlaps with the shattering of emotions? Are we each other’s support, or are we the ultimate island?

@jinnxuanruu
@zniin_aa

My work draws from the wellspring of my inner awareness, where the complexities of human nature unfold in all their depth and contradiction. It is through this profound sense of the intricacies of the human soul that I seek to explore, understand, and express our existence.

@yuqin_li_

Here is the world I have created, yet it truly belongs to Masahisa Fukase—a tribute to the photographer who, like a raven, soared through his art. Special thanks to Mr.Liu for his invaluable support.

@scc123z

The footage comes from different spaces and times, parts of them are the ones I’ve shot before, parts of are being shot at this moment, and some of them are the footage left in the camera by the previous people. What are our views? The split screen creates a conversation between the images, is similar yet strange.

@norriiisss

Ditto aims to summarize the connections that arise between two individuals and explores the resemblance influenced by prolonged social contact.

Through searching for similar “traces”, I captured partial aspects of the body, combining them with moire pattern to observe the convergence of the body as a result of shared behaviors, environment, and emotional imitation.

@_nehzhen

Multiple Displacement 2024

The film documents a character who continuously moves objects and reshapes their position on the Thames beach in London. He enters the beach at the beginning of the Thames low tide and continues to displace it for six hours until the river rises again, reflooding the beach and forcing him to leave.

@promise_films

By constructing the fantasy male image, women explore the attempt of emotional needs in the process of self, as well as another kind of control and autonomy of emotions.To construct the most perfect intimacy in the illusory brain,love is directly associated with freedom and self-actualization. What women are really in love with is the utopia that women weave themselves.

@ajiii_52

This work comes from my curiosity about architecture. I can’t see what people are doing inside the buildings. To me, the people in these buildings seem like ghosts. So I paint on cardboard to express my imagination of the people in the buildings.

@liuhaizhua

One Two shows the life segments of two people living in the same space. The form of displaying the film attempts to use self-employed of the “screen” and the gap between screens to echo the co-frequency and detachment of intimate relationship, so as to start a discussion on the experience of spiritual time and distance.

@lrl_0211
@shuhangluo
@rmcy
@reeginauok
@xiong__ni

wetmyths.tv by Daoguang Wen and Jaime Prada, reimagines Chinese and Peruvian myths through a queer lens. Hosted on a playful porn-inspired website, it critiques contemporary eros by fusing mythology, humor, and eroticism, the project envisions liberated futures where desire and identity transcend colonial frameworks.

@jaimmeeeeeeeeeeee
@daoguang_wen

Reykjavik is a moving images which explores the utopia. It questions whether Reykjavik itself represents an unattainable ideal, as inner wounds compel self-interrogation. This dialogue unfolds endlessly, echoing through countless days and nights. Everything remains in a state of perpetual construction—abandoned, uncared for, as everyone eventually departs.

@Oldnightkidnb

In November, 2024, I added a photograph to my website. It was online for one minute, viewed by invited friends, then replaced with a textual image. The photograph is no longer available: if you would like a description of it you may ask one of the participants, in person.

@sarah.libman

“TIME” explores ageing and digital identity through self-portraiture, manipulation, and sound. A triptych and video portray youth, middle age, and old age, reflecting societal pressures, self-perception, and life’s fragility. By combining symbolism (e.g., covered ears, mouth, and eyes) with digital tools, the work urges acceptance of change and impermanence.

@a.kreicbergs

We are the Four Monsters.

Our work explores the pain, censorship and endurance of “monstrous” women. We embrace our monstrosity with defiance. We control our appearance and our erasure, challenging the myths used to silence us.

Tune in, try to see us, witness the power of resilience.

We’re here to stay.

@frederiquelefortglazer
@jbemclean
@victoriagazzola
@shezifish

Plants won’t overhear your secrets, neither will they cheat on you. They just put on a silent show, moving quietly.

Please enter the playground to start a ten-minute leisure time. Enjoy the playfulness of these little things, and hopefully find both the entrance and the exit inside.

@shanerr_wang_

Wandering Eye is an online platform exploring the connection between the extrinsic and intrinsic self. Each image unveils an introductory page showcasing work from three disciplines using photographs of the artists’ eyes as interactive portals. A collective of three separate practices are merged onto a singular site where the observer becomes the observed.

@laurenthompsonstudio 

@beatrizbrasil

@noxnoctus